Spirit does not need a mirror, yet it gazes anyway—projecting forms into the formless, assigning names to the unnamed. What we call the world is not something separate from Spirit, but a spontaneous gesture of its own imagination, experienced as if it were other.
This is the paradox.
There is no true division between creator and creation. What appears as the external world is not a stage for a lost soul to find its way back, but Spirit animated—forgetting itself to taste the illusion of separation. Not as punishment or accident, but as a dance, a play, a sacred hallucination.
To believe the imagination is real is not error. It is the very means by which Spirit hides and finds itself. Each identity clung to, each role performed, each belief defended—these are costumes worn by the formless to remember itself as form.
Awakening doesn’t arrive like a conclusion; it dissolves the argument. You do not awaken from the dream by force or by will, but by remembering that it was always Spirit dreaming. The character fades, but not as death—more like laughter that remains after the joke has dissolved.
What changes when you see this?
Nothing. Everything. The world continues. You walk, eat, speak. But there’s an intimacy now. A recognition that what you once took to be real is neither unreal nor merely imagined—it is Spirit, playing with itself through light and shadow.
The one who seeks is the sought. The one who prays is the prayed to. Spirit folds into its own image, not to be found, but to be felt. That is the point. Not escape. Not transcendence. But the sacred absurdity of being itself.
Morgan O. Smith
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Morgan O. Smith 